The Modigliani Girl Occidentals Objectified

Why did the metal sculptor Klanger and I settle on calling Anne “the Modigliani Girl”? Certainly it is at best an obscure reference.

But as we both immediately agreed, she resembled a Modigliani creation rendered in flesh. Amazing how two strangers who slept with the same woman became copacetic from the jump.

We also determined that facile men would not have found her alluring. I use alluring because attractive harkens to some common beauty notion. Or as spoken in these days, “beauty metrics.”

Anne wouldn’t have met those standards.

Her distinctions lured us. Being objective, she consisted of features that shouldn’t have meshed as they somehow did. Continue reading The Modigliani Girl Occidentals Objectified