Post-coital selfies should be the lead-up to a punch line. Instead they are the latest method expression from Generation Self-Immersion. It must be true. The article appeared in an Argentine newspaper illustrated with a pair of supine and sanguine Spaniards among ruffled sheets.
With no apologies to the Moz.
Anonymous denunciation inspires this post. On one of the social sites to which I contribute, a correspondent objected to a topic dissected by the Slow Boat Media surgeon.
Which post, what aspect, who knows? Only the person skulking in the shadows can inform, and he or she won’t. Can’t confess without a backbone.
On one hand, these social media boards are terrific because exchanges run the gamut between thoughtful erudition and freewheeling irreverence. Doesn’t matter whether God’s a dog or American intelligence services are financing Cuban Twitter. On the other, more pernicious hand, distance and cloaking permit espousals that likely would’ve remained unstated. These convictions are the sort that ought to have continued seething behind sour breasts.
After rather involved February and March posts, the intent was to have been concise through April. Content will still be shorter but the subjects have changed.
April 2014 is the centenary of French author Marguerite Duras’ birth. Best known here for her book The Lover (most guys watched the movie version to ogle a gloriously naked Jane March), Duras also collaborated on the Hiroshima, Mon Amour script, a cinematic feat that set intellectuals, and those who adore their brilliance, swooning. Continue reading Unwritten