Finally watched the film version of On the Road recently. Anticipating disappointment, Walter Salles’ 2012 effort lived down to expectations.
I imagine when the project was pitched and possible directors were suggested, Salles emerged a natural fit. After all, the Brazilian had done a tender job helming The Motorcycle Diaries, the sort of movie that makes most American audiences eyes glaze over yet rewards patient viewers. You know, solitary figures sitting in the dark interested in more than excessive explosions and stunted adults wallowing in juvenile humor.