Tag Archives: Klanger

Deeper into the Modigliani Girl

Absent in person, Anne materialized between Klanger and me in spirit. Didn’t we almost expect her to emerge at Rick Blaine’s Place and simply gesture that one of us light the cigarette she’d jammed into its holder?

Oh, yes. A minor affectation, her cigarette holder. A narrow three-toned contraption spun in onyx, silver and ivory stages. Part of her Madame Sin persona no doubt. With the right, um, suitor, the wand could become a conversation piece.

Whether Anne used it to reduce the tobacco’s effect, liked the way it made her look, or as a prop that somehow lessened the unseemliness behind the pursuit of what a much higher percentage of those living outside Las Vegas might’ve seen as an unsavory practice, it was an effective distraction that deepened interest in her. Maybe I should’ve asked but why must all mysteries be solved? Continue reading Deeper into the Modigliani Girl

The Modigliani Girl Occidentals Objectified

Why did the metal sculptor Klanger and I settle on calling Anne “the Modigliani Girl”? Certainly it is at best an obscure reference.

But as we both immediately agreed, she resembled a Modigliani creation rendered in flesh. Amazing how two strangers who slept with the same woman became copacetic from the jump.

We also determined that facile men would not have found her alluring. I use alluring because attractive harkens to some common beauty notion. Or as spoken in these days, “beauty metrics.”

Anne wouldn’t have met those standards.

Her distinctions lured us. Being objective, she consisted of features that shouldn’t have meshed as they somehow did. Continue reading The Modigliani Girl Occidentals Objectified