Caleb Abercrombie found Hajna’s cigarette lighter and lipstick while vacuuming out his car. The previous night she’d badgered him about their disappearance. He’d thought nothing of either then. After all, what were they but trifles?
He and Hajna had been, for absence of a more genteel term, fuck-buddies throughout the period he’d sundered reporting for teaching. Her acquiescence, their finding quick mutual satisfaction blurred his career transition.
Nowhere near serious enough to have substantive conversation, both nonetheless comfortably shared intimacies. They were happily situated in the loose expanse between promiscuity and insouciance. Until Hajna’s drug use veered into irresponsible from recreational, neither saw any need for adjustment. Continue reading Double Down
Demise ignites “One Above and One Below,” the fourth and concluding story from Reveries. Actresses Valerie Quennessen and Consuelo de Haviland inspired “One Above and One Below.”
While glimpsed from today’s vantage, events occur in the pivotal year of 1989. In this telling, Caleb Abercrombie joins Paul Knox, one of his best buds from his undergraduate years, in a European sojourn. Perhaps their travel might be seen as a last gasp of irresponsibility and irrepressibility. Continue reading One Above and One Below
A feature inside the last 2011 issue of Intervìu by writer Alberto Gayo called to mind comments received about my compilations Reveries and Cool Brass. The latter especially.
Maybe what Reveries sparked finally ignited in Cool Brass.
The theme behind Gayo’s article: women taking responsive roles in erotica. A focus: Femme Fatale, a photo compendium by Finn Reka Nyari. Apparently Ms. Nyari’s lens exposed more than female forms offered up as living mannequins awaiting domination or mere male regard.
You know. The usual. Continue reading Indirect Objects