“Sacrilege” is a word which shouldn’t be spoken lightly. But it would be a sacrilege if some present-day filmmaker were to remake Rules of the Game.
There have been rumors which threaten what might result in this likely desecration. Thankfully for good sense and lack of financing, that possible nightmare still exists as a demented dream.
Revising it, though? Updating the story for us and our era? Perhaps a palatable possibility. Continue reading Old Game. Same Rules. Modern Players.
Not all worthy films are recognized as such during their premiere issuances. The numbers are legion about movies taking decades before earning proper and due appreciation. This seemed particularly so for movies appearing just before the eruption of World War II.
Given the lingering trauma of the Great War and the Depression’s stubbornness it’s easy to imagine moviegoers everywhere were somewhat resistant to diversions which asked engagement rather than merely distracted.
Why bother thinking when charm was offered?
While Gone with the Wind, Rebecca, and How Green Was My Valley remain lush, intriguing, and heartwarming efforts, respectively, several of the also-rans to these prize winners appear even worthier of the laurels than upon those honored by that era’s sentiments.
One of the least considered of this imminent war period happens to be a favorite movie of mine. So much so it’s one of the few that I routinely watch annually. Not so much it’s become a ritual with a prescribed moment and place (nor incense, oils, and animal sacrifices), but often around this time of year it will occupy a spot on my movie rental queue. Continue reading Welcomed Indecency
After rather involved February and March posts, the intent was to have been concise through April. Content will still be shorter but the subjects have changed.
April 2014 is the centenary of French author Marguerite Duras’ birth. Best known here for her book The Lover (most guys watched the movie version to ogle a gloriously naked Jane March), Duras also collaborated on the Hiroshima, Mon Amour script, a cinematic feat that set intellectuals, and those who adore their brilliance, swooning. Continue reading Unwritten
The initial subject of this post was to have flogged Properly Stirred, the 2013 Slow Boat Media explicit exploits extravaganza. (Properly Stirred is available through Amazon Kindle.) However, incipient background upheaval and a timely dovetailing of international relations with anecdotal observations favor the topical subject.
President Obama’s recent cancellation of bilateral discussions with Russian President Vladimir Putin has set the “be afraid, be very afraid” segment of America into full peek in the closets/check under the beds mode. For them, the sudden spate of bug-out embassy and consular evacuations was soothing music. More sanguine Americans saw these closures as large scale security theater panic.
Aware of history and the threat against our nation, menace cannot be discounted. Yet in the 21st century haven’t we yielded common sense vigilance to Bernard Breakdown instances of quivering uncontrollable fear?
Similar to Breakdown, a Dick Tracy villain from the early 1980s, it takes little to disrupt the security apparatus’ coping mechanism.
Continue reading Frolic and Friction
Another obscure Islamic cleric has thundered in self-righteous indignation about a young woman who didn’t know her place. A woman, who, God forfend, expressed herself without concern how it would enrage some screaming man who’d forgotten his last erection. Continue reading Woman Is a Devil