The title of the movie escapes me. Or maybe several comprise memory. The remembered scenes issue from Nazi propaganda reels.
In any case, the rudely sinuous voice of Joseph Goebbels, Nazi Germany’s Minister of Enlightenment and Propaganda, narrates the black & white images. They were issued early during the Nazi reign. During the ascent. Continue reading Disenchantment USA
From now until Halloween night fright film fans ought to be in their peculiar heaven. Continue reading Nightmares in Black & White
Is “Bunuel-esque” an appropriate adjectival form? Ought it be? Perhaps so.
A past observation confirmed and several recent stirring scenes distributed through social media have converged to tickle my interest in the topic. Continue reading Turnabout
Modern horror movies have done a terrific job robbing audiences of the pleasure behind being frightened inventively. Continue reading Frights Abound
A Quarropas episode has been transferred to movie screens. This docudrama is making its way along the film festival circuit. Hopefully a distributor will acquire the movie and give it general release. Though factually based, and likely with poetic license taken, the effort will not portray my former hometown kindly.
Tough. Continue reading Shows of Force
Schlockmeisters believing themselves quality horror purveyors need to set up campfires that burn holes into patches of the darkest nighttime woods extant. Amid this pitch black setting, using remedial storytelling lessons, they should huddle around the flames and rediscover what truly jolts audiences.
They can start by reciting “The Monkey’s Paw” then diagram why the story still tingles. Continue reading The Willies
Matthias believed himself quite fortunate to have been a widower whose children had all entered adulthood. Or else explaining the circumstances which had befallen him to adolescents or teens could’ve been quite mortifying.
He asked himself, ‘Was it an incident? Or a series of misfortunes? Or an exercise in youthful malice?’
At least the English professor could engage the question philosophically. Nora, the other participant exposed, lacked Matthias’ considerable fig leaf. Apart from the pun, fig leaves were exactly what Nora needed. Those and mind wipes, as well as interdicting the bastard who’d swiped the incriminating memory card.
Not solely to cover the naked state she’d shared with Matthias, but to establish distance between the realized gossipy recrimination their private conduct stirred and the preferred mature indifference it should’ve left in its wake. Well, not so private now, though owing to her marital state, certainly illicit.
A university colleague, Nora, had entered a brief passionate romance (romance because affair sounded tawdry) with him occasioned by her husband Fausto. Living up to his name, Fausto was a true macho. Their marriage made Matthias wonder about ardor’s caprice. Continue reading Dalliances
Fifteen years ago, British Airways delivered me to Vienna for the first time. Recently promotions by the UK flag carrier reminded me of that particular visit, my last flights before insane Koran perverting Islamists provoked the security theater air passengers now must endure.
Dovetailing nicely, it’s simply coincidence that Vienna is also the site where the West thwarted the Ottoman conquest of Europe. Any and all fretting about Western Civilization being swamped by Muslim hordes needs to brush up on his or her history.
If it was done then, it can surely be repeated if need be. Continue reading Spittelberg
Congregants whose services demand sacrificial rites just might look for pointers at how cinema has steeped modern Halloween in blood and gore.
Until fairly recently wasn’t Halloween a simple holiday? One, which for the vast majority of us had lost its pagan purposes. Hadn’t it become candy mania for children and tomfoolery for adults? At best, an occasion for bingeing on movies that scared using moody atmosphere, lucid dialogue and vivid supporting characters?
When did trick or treat entertainments become so ominous? How did The Uninvited become the rebooted version of, what else, Nightmare on Elm Street?
For that matter, how has any producer neglected inserting Ministry’s Everyday Is Halloween into his or her movie?
What happened to the witches and ghosts? The improbable monsters? How did single-minded mass murders and asocial autonomes crowd out our familiar bump-in-the-night terrors? Haven’t these new manifestations of our subconscious, now news cycle regulars, coarsened more than the society they’re intended to reflect? Continue reading Ooh! Scary! Ooh!