What Is Beat?

    Finally watched the film version of On the Road recently. Anticipating disappointment, Walter Salles’ 2012 effort lived down to expectations.

    I imagine when the project was pitched and possible directors were suggested, Salles emerged a natural fit. After all, the Brazilian had done a tender job helming The Motorcycle Diaries, the sort of movie that makes most American audiences eyes glaze over yet rewards patient viewers. You know, solitary figures sitting in the dark interested in more than excessive explosions and stunted adults wallowing in juvenile humor.

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From the Miasma

    August does not lend itself to cool reasoning. Heat and humidity alter senses. Fetid extremes don’t simply quicken our humors but agitate them.

   Somehow the ancients understood this. And somehow given current advances in science we today dismiss their view as archaic.

   We seek reason where none exists. When the answer fails fitting our box we prefer believing the dilemma “inexplicable.” Or worse, chop the matter down and stuff it into an approximation which mollifies us. “Close” suffices because “right” taxes us too much.

   Besides, getting it right just may upset a lot of comfortably held perceptions. Well, hidebound ones with which we’re comfortable.

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Down Time

    Ideally this post would flog Properly Stirred, the 2013 Slow Boat Media short-story compilation. The three interludes feature Paul Knox, a man who enjoyed his pleasures (okay, more than his fair share of pleasures), yielded to the demands of age and status, believed himself to have contentment, then got bushwhacked. 

    Better than a redo, Knox reverts throughout Properly Stirred. While not indulging in irresponsibility, he must no longer conform. Paul Knox has achieved an enviable state. He’s been released. And he returns to situations and conditions which had earlier occupied him to happy ends.

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